{"id":5144,"date":"2020-12-22T18:25:44","date_gmt":"2020-12-22T18:25:44","guid":{"rendered":"https:\/\/staging.polidesign.net\/concorsi\/a-designer-a-day\/"},"modified":"2020-12-23T09:04:08","modified_gmt":"2020-12-23T09:04:08","slug":"a-designer-a-day","status":"publish","type":"concorsi","link":"https:\/\/www.polidesign.net\/en\/concorsi\/a-designer-a-day\/","title":{"rendered":"A Designer A Day"},"featured_media":5141,"template":"","meta":[],"yoast_head":"\nA Designer A Day • POLI.design<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.polidesign.net\/en\/concorsi\/a-designer-a-day\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Designer A Day • POLI.design\" \/>\n<meta property=\"og:url\" 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Yoast SEO plugin. -->","acf":{"cover_title":"A Designer A Day","cover_subTitle":"","cover_abstract":"<p>Second edition 2013<\/p>\n","cover_image":{"ID":5140,"id":5140,"title":"designday940-eng_0","filename":"designday940-eng_0.jpg","filesize":27665,"url":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0.jpg","link":"https:\/\/www.polidesign.net\/en\/concorsi\/a-designer-a-day\/attachment\/designday940-eng_0\/","alt":"","author":"38","description":"","caption":"","name":"designday940-eng_0","status":"inherit","uploaded_to":5138,"date":"2020-12-22 18:26:29","modified":"2020-12-22 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Title + Text","numero_di_colonne":"1","content":{"occhiello":"","title":"","title_style":"normal","text":"<p>THE SELECTED PROJECTS<\/p>\n<p><strong>1) Project | \u201cEvolution of plant shapes Stage 1 and Stage 2\u201d_porcelain lamps.<\/strong><\/p>\n<p><strong>Product Description<\/strong><\/p>\n<p>These low-energy lamps (floor or ceiling) create a bright and warm atmosphere, inspired by the transformation of shapes in the natural world. Supported by 3D computer-aided design software, the lamps are produced in cast porcelain using characteristic artisan techniques to produce limited editions.<br \/>\n<strong>Product\u2019s technical file<\/strong><br \/>\n<strong>Materials:<\/strong> Bone-china, electrical elements<br \/>\n<strong>Firing temperature:<\/strong> 1260 \u00b0C<br \/>\n<strong>Production technique:<\/strong> Clay is modeled according to the 3D design, with the aid of metal profiles; preparation of the plaster model and casting molds; casting (technique used to create the final porcelain product, thanks to the porous capacity of liquid mix in plaster which creates a layer on the mold surface); polishing.<br \/>\n<strong>Sizes:<\/strong> Stage 1:20×20 cm Stage 2:25×35 cm<br \/>\n<strong>Designer:<\/strong> Simone Guida (born 09\/04\/1988)_A specialist in ceramic art and a sculpture graduate from the Turin Academy of Fine Arts, he designs and creates interior design ornaments and everyday items in gr\u00e8s and china, inspired by the soft contours of the natural world. Interested in the world of manual work from an early age, he is fascinated by how material is molded by knowledge and the skilled work of hands. This passion, embodied in his work with ceramics, emerged during summer visits to the workshops of Grottaglie (TA), home of his paternal grandparents.<\/p>\n<p><strong>2) Project | \u201cWalter\u201d_ready-to-assemble chair<\/strong><\/p>\n<p><strong>Product description<\/strong><br \/>\nA microcosm to rest on, an essential part of your life. Simple but strong design for this chair, suitable for the living room or dining room, for the office or bar. It is both practical (with its removable seats) and timelessly stylish. It comprises four easy-to-assemble parts \u2013 two \u2018C\u2019 shaped sections for the legs (produced with comb joints for a more solid structure) and two flat parts (seat and back). The surfaces are treated with linseed oil to protect the material and ensure a natural appearance.<br \/>\n<strong>Product\u2019s technical file<\/strong><br \/>\n<strong>Materials:<\/strong> oak and oak veneer plywood<br \/>\n<strong>Sizes:<\/strong> assembled chair 52x70x50 cm, packaged item 66x58x19 cm<br \/>\n<strong>Contents of pack:<\/strong><br \/>\n\u2022 2 \u2018C\u2019 shaped sections for legs<br \/>\n\u2022 Seat<br \/>\n\u2022 Back panel<br \/>\n\u2022 6 assembly screws<br \/>\n\u2022 1 Allen key<br \/>\n<strong>Designer:<\/strong> Filippo Franchi (born 10\/03\/1989). From childhood, Filippo\u2019s passion for design and creativity was clear, leading him to experiment with various artistic fields and teach himself different techniques as he formed his own personal style.<br \/>\nHis studies have been design-focused \u2013 recently he began to produce his first items, as he aims to bring together design, communication and art.<\/p>\n<p><strong>3) Project | \u201cEco-weaving\u201d_handwoven tapestry<\/strong><\/p>\n<p> <\/p>\n<p><strong>Product description<\/strong><br \/>\nWoven by hand on an antique loom with healds and pedals for scrupulous conformity to sustainable living, these tapestries are a perfect example of eco-friendly items. The basic idea is a return to the values of traditional local wools, of native materials in a contemporary setting that combines artisan planning, design and production.<br \/>\n<strong>Product\u2019s technical file<\/strong><br \/>\n<strong>Materials:<\/strong> Amiatina and Sardinian wool<br \/>\n<strong>Production technique:<\/strong> Hand-woven on a horizontal loom with six healds and pedals. Some knots have been added.<br \/>\n<strong>Dyes used:<\/strong> plant-based dyes<br \/>\n<strong>Sizes:<\/strong> 68 x120 cm<br \/>\n<strong>Designer:<\/strong> Laura Rovida (born 20\/06\/1979). Her passion for hand-weaving began more than ten years ago, leading her from an apprenticeship in a traditional workshop in Tuscany to a \u201cTextile Design\u201d course at the University of Bradford (UK). In 2010, she decided to open her own studio, Rovida Design, where she could unite her design training with her love of artistic artisan work. Here she presents the antique art of hand-weaving in a contemporary reinterpretation which is both modern and eco-friendly.<\/p>\n<p><strong>4) Project |\u201cGr Egg\u201d_yolk separator<\/strong><\/p>\n<p><strong>Product description<\/strong><br \/>\nIf you’re one of those people who find it nigh impossible to separate egg yolks and whites, Gr_Egg may well be your new best friend. Break the egg on the ridge, pour the whole thing into the ceramic yolk separator, and voila! Here is your egg white on the other side. Thanks to the design shape, the separated yolk stays well away from the white, ready to be poured through the specially-designed spout. Easy-peasy, super-clean, super-clever!<br \/>\n<strong>Product\u2019s technical file<\/strong><br \/>\n<strong>Materials:<\/strong> White bone-china<br \/>\n<strong>Colour:<\/strong> gold and silver decal<br \/>\n<strong>Production:<\/strong> Molds for die-casting, firing, hand-applied decoration<br \/>\n<strong>Size:<\/strong> height 9cm, diameter 7cm (approx.)<br \/>\n<strong>Designer:<\/strong> Francesca Romei (born 27\/04\/1983). After completing an undergraduate degree in Industrial Design at the Seconda Universita degli Studi in Naples, she moved to Milan to complete her studies at the Polytechnic Design Faculty. Then in 2008 she was off to London for an intense work experience as a model maker in various architecture and design studios. The exploration of many materials and production technologies led her to a design methodology focused on the combination of Digital and Industrial Design elements, supported by the manual and artisan skills acquired earlier.<br \/>\nAfter a steady apprenticeship in workshops and laboratories, in 2010 she began to produce ceramic works, a particular collection of table items, reflecting feelings, style and culture. These unique pieces are inspired by items of the past but presented in a modern interpretation.<\/p>\n<p><strong>5) Project | \u201cITER_Indoor TERrace \u201d_modular food sprouter<\/strong><\/p>\n<p> <\/p>\n<p><strong>Product description<\/strong><br \/>\n\u201cITER Indoor TERrace\u201d modular food sprouter. A sprouter for modular food production, with moveable shelves to create a green wall. The sprouts receive equally-distributed watering by means of a connected system and retain moisture via a layer of marble granules in the bottom of the containers. The name ITER (from the Latin \u201cway\u201d) derives from the journey that the water makes between the various sections.<br \/>\n<strong>Product\u2019s technical file<\/strong><br \/>\n<strong>Materials:<\/strong> Wood, steel, polymers, cork<br \/>\n<strong>Size:<\/strong> 100cm x 100cm x 22cm<br \/>\n<strong>Designer:<\/strong> P.Uno (Alberto Bellamoli, Maria Elena Bompani, Guglielmo Brambilla, Matteo Casarin, Umberto Chiuini Garcia Paredes). These five friends met at the Polytechnic of Milan, where they were attending the third year of Industrial Product Design. For some time now they have worked together on design and communication projects both inside and outside the university, each bringing his\/her own personal skills. Sharing a common interest for design research and experimentation (both theory and practical), each member of the group stimulates the others, thanks to their different attitudes and abilities.<\/p>\n<p> <\/p>\n<p><strong>6) Project | \u201cMINO\u201d_garden gnome in pressed compost<\/strong><\/p>\n<p><strong>Product description<\/strong><br \/>\nBorn in Germany in the 17th century, garden gnomes were exported to England by an English gentleman who wanted to decorate his garden. Nowadays, they’re valued as kitsch items, often a little sad despite their bright colours, as they are forced to live out their lives as ornaments in artificial domestic environments.<br \/>\nThe Mino gnome on the other hand inhabits a living garden, nourishing the grass around him \u2013 then, when the season ends, he starts to disappear without trace. Made of pressed compost and 100% biodegradable, he is a powerful natural fertilizer and can also be personalized with drawings, colours or accessories. The compost is made up of common organic waste from which the bio-gas (and thus bad smell) has been removed \u2013 it’s similar to humus, the fertile section of soil which is rich in nutritious elements. Mino is an aesthetic form of compost storage, a valuable substance which unfortunately is generally just put on heaps or in boring bins. By transforming compost into a \u201ccute\u201d item, its use in domestic households is encouraged – in gardens, lawns and allotments. The Mino gnome introduces organic compost as a material to be molded in varying sizes and shapes \u2013 it could even be planted with seeds or inoculated with fungus spores for an even more \u201calive\u201d and practical item.<br \/>\n<strong>Product\u2019s technical file<\/strong><br \/>\n<strong>Materials:<\/strong> pressed compost<br \/>\n<strong>Size:<\/strong> 17 x 20 x 37 cm (approx.)<br \/>\n<strong>Weight:<\/strong> about 1 kg<br \/>\n<strong>Designer:<\/strong> Giovanni Tomasini (born 22\/03\/1985). This design graduate from the Academy of Fine Art LABA in Brescia was included in the Young Talented Italians of the World YOUNG BLOOD 10 List in June 2011. After a two-year experience with Machinalmpresa, in September 2012 he became a co-founder of Studio 7B, a new design\/fashion\/communication entity located in the CSMT complex (Brescia’s technical centre for research and development)<\/p>\n<p> <\/p>\n<p><strong>7) Project | \u201cAppendino\u201d _clothes hangers and shoe racks<\/strong><\/p>\n<p>Product description<br \/>\nMinimal clothes racks \u2013 consisting of a simple framework, a pole and a surface, but able to hold both clothes and shoes. Simple and light, this closes up for minimum space usage.<br \/>\nProduct\u2019s technical file<br \/>\nMaterials:\u00a0Frame, poles and wooden flat surface (fir)<br \/>\nSize:\u00a074 x 8 x 144 cm<br \/>\nDesigner:\u00a0Francesca Braga Rosa & Ivano Vianello (IVDESIGN.IT). Both graduates of the University of Architecture in Venice (IUAV), this duo founded the Studio Associato Vianello Braga Rosa Architetti in Vicenza (2010). The studio works with interior design, landscaping and design in historic and contemporary styles. In 2007, IVDESIGN.IT was set up, the brand which the studio uses to design and produce furnishing collections in collaboration with Waip, a young artisan carpentry business. In 2008, they created the About Design Vicenza project, which soon became a national contest, and then followed this up in 2009 when they organized the first Vicenza Design Week.<br \/>\nSince 2010 they have designed for important furniture companies (including Rapsel, Antonio Lupi, Gruppo Sintesi) whilst taking part in many significant industry events<\/p>\n<p><strong>8)\u00a0Project | \u201cMinimal Christ\u201d_\u00a0crucifix\u00a0+ \u201cSchiscia\u201d_orange juicer\/pestle\u00a0+ \u201cBunura\u201d_wall clock\u00a0+ \u201cSchische\u201d_bedroom mirror<\/strong><\/p>\n<p>Product description<br \/>\nBuscai’s first collection is made up of small household items, featuring minimalist design and a strong communicative\/emotive impact as well as highly practical value. All the items are made with natural materials, produced and developed by hand in true artisan style \u2013 from the choice of materials most suitable for the shape and use of the product to the actual creation of the item.<br \/>\n\u201cMinimal Christ\u201d _ crucifix<br \/>\nA religious symbol in a modern style, contemporary, minimalist. The spirit is the essence of religion – \u201cMinimal Christ\u201d is the essence of a spiritual icon.<br \/>\nMaterial: ash tree wood<br \/>\nSize: height 19.5 cm \/ width 12 cm \/ depth 3cm<br \/>\nProduction technique: lathe<br \/>\n\u201cSchiscia\u201d _ orange juicer<br \/>\nThe result of a wish for simple kitchen items, precise in design detail, modern yet timeless, in a material (wood) that can transmit both feeling and… history<br \/>\nMaterial: ash wood<br \/>\nSize: height 19.5cm \/ width 15cm<br \/>\nProduction technique: lathe<br \/>\n\u201cBunura\u201d _ wall clock<br \/>\nMinimalist wall clock , simply cut from a single piece of wood. The face is surrounded by a naturally-treated leather (or felt) band that means it can be hung on the wall with the retractable bolt.<br \/>\nMaterial: high density MDF, oak veneer<br \/>\nSize: diameter 30cm \/ depth 3cm<br \/>\nProduction technique: woodwork veneering<br \/>\n\u201cSchische\u201d _ bedroom mirror<br \/>\nBedroom mirror, designed for easy handling for a better view of the face, for close-up application of make-up…<br \/>\nMaterial: ash wood<br \/>\nSize: height 52cm \/ width 16.5cm<br \/>\nProduction technique: lathe<br \/>\nDesigner: Buscai (in Brianzolo dialect, it means \u201cwoodshaving\u201d) is a team of Brianza artisans specialised in woodwork, all with the fervent creativity of young Italian designers. Their objective is to recover both \u201cartisan know-how\u201d in woodwork (Brianza’s local and historic trade) and re-construct a direct relationship, personal and friendly, between artisans and designers, thus promoting Italian design and laying a solid base for the Italian manufacturing tradition<br \/>\nIn this period of economic depression and limited business investment, Buscai want to emphasise that creativity and industriousness are still around \u2013 with this collection of small household items, they want to show that the only true way to pull out of the financial \u201cimpasse\u201d is with passion and a desire for creativity. By rediscovering tradition, transforming it and updating it for modern tastes.<\/p>\n<p> <\/p>\n<p><strong>9) Project | \u201cUrban Survival Kit\u201d_food dehydrator and smoker<\/strong><\/p>\n<p><strong>Product Description<\/strong><br \/>\n\u201cUrban Survival Kit\u201d is the first experimental step towards alternative methods for food conservation, cooking and re-use. The kit comprises two tools \u2013 a dehydrator and a smoker. Eolo (the dehydrator) uses a natural drying process via wind\/solar power and silica gel. Its characteristic shape was designed specifically to promote transpiration, positioning and protection from insects or other animals. The Eolo ring rigid base can be used to hang or place it in the optimum position for sunlight or heat from other sources in the house. Efesto (the smoker) ensures a prolonged life expectancy for food. With this treatment, food takes on a delicious smoky scent and a wonderful colour. The item is made of two elements \u2013 the first (the base) provides controlled combustion, whilst the second (placed on top of the base) provides a surface for the food to be laid out for smoking. The lid has a small cone that also functions as an airhole for smoke circulation.<br \/>\nIt is made of ceramic and wood, ideal materials for a natural lifestyle.<br \/>\nThe project firmly supports today’s essential values \u2013 sustainability (through the use of natural long-lasting materials) along with simple forms and practicality. The item offers domestic warmth and careful attention to detail as opposed to impractical moral highbrow preaching.<br \/>\n<strong>Product’s technical description<\/strong><br \/>\n<strong>Size:<\/strong> food smoker 34×24 cm, food dehydrator 30×50 cm<br \/>\n<strong>Designer:<\/strong> Design Sottoscala is a team of three young designers \u2013 Francesco Marini, Alessandro Nedrotti and Marta Zanotti. The collaborative effort began when they discovered a shared affinity for experimental design at university. Together they merge different skills and interests that complement each other and create an overall design process that is complete in every way. Sottoscala explores design as a broker between cultural traditions and new forms of global communication in a cosmopolitan dynamic reality. From dialogue and sharing of different knowledge (that they acquired during various experiences abroad), the group has acquired a critical approach towards sustainability and the importance of items as social links.<br \/>\nDesign Sottoscala continues to experiment in its work on details and materials, with the goal of completing projects that are neither impersonal nor ultra hi-tech \u2013 the product speaks for itself.<\/p>\n<p><strong>10) Project | \u201cProntoIntervento\u201d (Emergency Repair Service)_repair service for damaged\/broken item<\/strong><\/p>\n<p><strong>Product Description<\/strong><br \/>\nPronto Intervento aims to repair and restore objects believed to be broken and ready to throw out. The project sets out to transmit a new message of awareness between item users, teaching them that often the value of an object is in its history, not just in its appearance. Pronto Intervento comprises a network of various skilled experts, in a type of group plan where each member plays an essential role which contributes to the overall project. The request passes from the user to the designer and the artisan know-how of the repairers and makers, before returning to the user in the form of a personal kit made specially for the object to be repaired.<br \/>\n<strong>Product Description<\/strong><br \/>\n<strong>\u201cSeggia\u201d<\/strong> _ the repair was carried out by replacing the seat with an orange PMMA shelf attached to the structure with a blue cotton cord.<br \/>\n<strong>Material:\u00a0<\/strong>PMMA, wood and cotton cord<br \/>\n<strong>Production technique:<\/strong>\u00a0laser cutting<br \/>\n<strong>\u201cCucciola\u201d<\/strong> _ an old 50s furniture that contained a Singer sawing machine. After removing the sewing machine, the plan was changed upon a shelf below which has been inserted a light that turned him into a plan drawing back-lit.<br \/>\n<strong>Material:\u00a0<\/strong>PMMA, wood<br \/>\n<strong>Production technique:<\/strong>\u00a0plasma cutting<br \/>\n<strong>\u201cDina & Tina\u201d<\/strong>_A couple of new lamps salvaged from two old bedside lamps. The iron base was screwed to an iron disk.<br \/>\n<strong>Material:<\/strong>\u00a0Tubular steel and cotton<br \/>\n<strong>Production technique:<\/strong>\u00a0plasma cutting<br \/>\n<strong>\u201cNuda\u201d<\/strong> _A chair with transparent seat and back. Thanks to this prevalent transparency feature, the beauty and simplicity of the iron frame is highlighted. The seat and back are laser-cut, then placed on a special 3D hook designed to increase the base surface and reduce friction or possible cracks in material.<br \/>\n<strong>Material:\u00a0<\/strong>PMMA, tubular steel and ABS<br \/>\n<strong>Production technique:<\/strong>\u00a0Laser cutting and 3D printing<br \/>\n<strong>Designer:\u00a0<\/strong>Pronto Intervento \u00a0was founded by Francesco Pace, a graduate in Industrial Design and co-founder of the audio-visual team Samples Lab, \u00a0in collaboration with Francesco \u00a0Forcellini, graduate in Industrial Design from the Polytechnic of Milan currently working in product design, and Fabio Mennella, MSc in Industrial Design from Domus Academy and founder of Antietico. The team are in constant contact with companies, designers, architects, videomakers, graphic artists, communication experts and artists.<\/p>\n<p><strong>SPECIAL MENTION PROJECTS<\/strong><br \/>\n<strong>Project | \u201d Moments\u201d\u00a0_ Olive oil candle cloc<\/strong><\/p>\n<p><strong>Product Description<\/strong><br \/>\n<strong>\u201d Moments\u201d _ Olive oil candle clock<\/strong><br \/>\nGlass, oil and cardboard are the three elements that make up Moments, a Sanserif Creatius candle. Inspired by ancient oil lamps, it is produced in recycled glass, runs on extra-virgin olive oil, and comes complete with a floating wick. In addition to creating a special warm atmosphere, it is also a clock: the 12-inch wick allows up to 10 hours of eco-friendly lighting. In fact, the tube has carved notches at 60-minute intervals which allow you to keep track of time. Moments is a collection of oil clocks made in collaboration with Sara Sorribes, a well-known glass artisan. This clock has been developed to renew the consumer’s relationship with the object, providing new sensations and enhanced value.<br \/>\n<strong>Designer:<\/strong> The team comprises designer Ana Yago Pall\u00e1s and journalist Jos\u00e9 Antonio Gim\u00e9nez, founders of After and Colectivo diPatata. They have curated exhibitions and organised lectures on design, communication and art at the IVAM and MuVIM museums, Palacio de Echeveste, CEU<br \/>\nbusiness school, the Arts and Crafts Center in the Valencian Community and several galleries in Valencia. They have published articles and works in many design, communication and fashion magazines, including Casa Woman, Arte y Dise\u00f1o, Disey Magazine, El Sector, La Milk and El<br \/>\nPublicista, as well as in daily newspapers like Hoja de la Tarde, Las Provincias and Levante-EMV. In 2009 and 2011, they edited two books -Articulado and Hiatus – a compilation of essays and opinion articles by leading international designers like Milton Glaser, Karim Rashid, Erwan Bouroullec, Jasper Morrison, Andr\u00e9 Ricard or Almerto Coraz\u00f3n.. They have also co-directed a large number of studies and research on graphic and corporate design and their work has been recognised and awarded in a number of competitions both in Spain and abroad.<\/p>\n<p><strong>Further information at<\/strong>: www.designhub.it\/adad\/adad2013 and www.designhub.it\/adad\/category\/partecipanti-adad-2013\/selezionati-partecipanti-adad-2013<\/p>\n<p><strong>Scientific Board<\/strong><br \/>\nVenanzio Arquilla<br \/>\nBarbara Parini<\/p>\n<p><strong>Graphic Design<\/strong><br \/>\nFactorio.us<\/p>\n<p><strong>Press Office<\/strong><br \/>\nSusanna Tagliento<br \/>\nMedia Relation Account<\/p>\n<p>Via Legnano, 26<br \/>\n10128 Torino – ITALIA<br \/>\nT +39 0115154600<br \/>\nVia F. Melzi D\u2019Eril 34<br \/>\n20154 Milano – ITALIA<br \/>\nT +39 0231830870<br \/>\nE s.tagliento@inevidence.it<br \/>\nW inevidence.it<br \/>\nS s.tagliento-inevidence<\/p>\n<p><strong>Ufficio Comunicazione POLI.design<\/strong><br \/>\ncomunicazione@polidesign.net<br \/>\nT. +39 02 2399 7242<\/p>\n<p> <\/p>\n<p> <\/p>\n","":null,"azione_cta":"","cta_style":"normal","cta_align":"left","cta":"","titolo_cta":"","modali_disponibil":false,"hubspot_id":"","prefill_campo_richiesta":""},"content_right":{"occhiello":"","title":"","title_style":"normal","text":"","":null,"azione_cta":"","cta_style":"normal","cta_align":"left","cta":null,"titolo_cta":"","modali_disponibil":false,"hubspot_id":"","prefill_campo_richiesta":""}}],"relazioni":{"relazioni":{"corso":"","area_formazione":[{"term_id":280,"name":"Interior Design and Architecture","slug":"interior-design-and-architecture","term_group":0,"term_taxonomy_id":280,"taxonomy":"formazione_area","description":"Interior Design and Architecture","parent":0,"count":75,"filter":"raw","term_order":"2"}],"tipologia_formazione":false,"settore":false,"tags_poli":false,"ways_of_innovation":[{"term_id":554,"name":"Concorsi ed eventi","slug":"concorsi-ed-eventi","term_group":0,"term_taxonomy_id":554,"taxonomy":"woi","description":"Concorsi ed eventi","parent":0,"count":77,"filter":"raw","term_order":"0"}],"alumni":false,"people":""}},"concorsi_scadenza":"","concorsi_totale_premi":"","concorsi_regolamento":{"label":"","file":false},"concorsi_altriDoc":false,"roster":{"partners_repeater":false},"cover_imageThumbnail":{"ID":5141,"id":5141,"title":"designday940-eng_0","filename":"designday940-eng_0.jpg","filesize":27665,"url":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0.jpg","link":"https:\/\/www.polidesign.net\/en\/concorsi\/a-designer-a-day\/attachment\/designday940-eng_0-2\/","alt":"","author":"38","description":"","caption":"","name":"designday940-eng_0-2","status":"inherit","uploaded_to":5144,"date":"2020-12-22 18:26:29","modified":"2020-12-22 18:26:29","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.polidesign.net\/wp-includes\/images\/media\/default.png","width":940,"height":268,"sizes":{"thumbnail":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0-300x86.jpg","medium-width":300,"medium-height":86,"medium_large":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0-768x219.jpg","medium_large-width":768,"medium_large-height":219,"large":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0.jpg","large-width":940,"large-height":268,"1536x1536":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0.jpg","1536x1536-width":940,"1536x1536-height":268,"2048x2048":"https:\/\/www.polidesign.net\/wp-content\/uploads\/2020\/12\/designday940-eng_0.jpg","2048x2048-width":940,"2048x2048-height":268}},"partners_repeater":false},"_links":{"self":[{"href":"https:\/\/www.polidesign.net\/en\/wp-json\/wp\/v2\/concorsi\/5144"}],"collection":[{"href":"https:\/\/www.polidesign.net\/en\/wp-json\/wp\/v2\/concorsi"}],"about":[{"href":"https:\/\/www.polidesign.net\/en\/wp-json\/wp\/v2\/types\/concorsi"}],"version-history":[{"count":0,"href":"https:\/\/www.polidesign.net\/en\/wp-json\/wp\/v2\/concorsi\/5144\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.polidesign.net\/en\/wp-json\/wp\/v2\/media\/5141"}],"wp:attachment":[{"href":"https:\/\/www.polidesign.net\/en\/wp-json\/wp\/v2\/media?parent=5144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}